Exposition - Novae Vitae - INTERFÉRENCE

Hi there!

We are Anna Fossi and Chiara Mentore, students in the Master's program in Contemporary Art Curation at IESA in Paris, and we’re currently working on our first major curatorial project: the exhibition “Novae Vitae – Interférence.”

We’ve poured our energy, research, and passion into this project — now we need a bit of help to make it a reality.

We will rent a space at Espace Albatros in Montreuil, closeby to Paris. The grand opening will be on June 6th. The exhibition will be open until June 10th.

Organizing an independent exhibition comes with real costs: venue rental, transportation of artworks, installation, materials, communication, and more. And as two emerging curators, we can’t do it alone.

That’s why we’re asking for your support.

With your contribution, you’re not just helping us produce a show — you’re becoming part of a shared creative journey that explores transformation, renewal, and inclusion through contemporary art.

Even the smallest donation can make a big impact.

By supporting us, you're amplifying young voices in the art world, helping foster dialogue and community, and joining us in creating a space where art becomes a living, collective force for change.

Thank you from the bottom of our hearts, ❤️

Anna & Chiara

Presse Novae Vitae- INTERFÉRENCE

The exhibition "Novae Vitae - Interférence" explores the concept of transformation and regeneration through a deep dialogue between art and space. The exhibition brings together works by four international artists, each in their own way offering a reflection on the cycles of creation and destruction that define the individual, the work, and the environment. Installations, sculptures : all these forms of expression converge to explore the power of art as a living process, always in motion, constantly evolving.

In this exhibition, art is not simply a static representation of the world; it is a force that interacts with space, transforms it, and infuses it with new life. It is not just art unfolding in space, but space itself, once "inhabited" by the work, becoming a living, evolving actor. The works metamorphose, taking on new forms and meanings as they are perceived and experienced by the viewer. They are influenced not only by the artist's gestures but also by the atmosphere and energy of the place, creating a constant dynamic between the work, the artist, and the environment.

The term “interference” in the exhibition title refers not merely to a passive process of confrontation, but to an active and mutual exchange. Art and space disturb and nourish each other. Each work creates a disturbance, an "interference" that modifies the space, while the space, in turn, redefines and transforms the work. This interaction creates an uninterrupted cycle of readjustment, where the work "reinvents" itself continuously, and the viewer, caught in this dynamic, becomes an actor in this metamorphosis.

The central concept of “Novae Vitae” rests on this idea of interdependence. Art does not exist independently of its context; on the contrary, the work, once created, merges with its environment and alters it. This process symbolizes an act of rebirth, of regeneration, where space is recomposed through the prism of art and becomes a terrain of new possibilities. Each transformation is an act of creation and destruction. The name "Novae Vitae" (literally “new lives”) evokes the idea of constant resurrection. It is not a simple return to a previous state but an emergence into new forms of life, whether through recycled materials, innovative technologies, or unexpected artistic gestures.

This process of transformation also echoes a broader philosophical reflection: that of life as a dynamic and resistant process. Art, in this exhibition, becomes a form of resistance to the passivity of daily life, to the slow degeneration of forms, and to the inertia of objects. Each work becomes an act of resistance against entropy, a movement toward constant renewal. Art here takes the form of interference, disturbing the established order to create a new reality, a space for collective renewal.

But “Novae Vitae” is not merely a space for aesthetic transformation; it is a laboratory for social reflection. The exhibition seeks to create an inclusive space where everyone, whether artist or spectator, becomes an integral part of this process of transformation. Art becomes a vector of inclusion, a means of reaffirming individuality while weaving collective ties. Interaction with the work is not a mere act of contemplation but an active participation in the renewal of social reality. The space becomes a place of shared strength, where different voices converge to nourish collective reflection, establishing a new way of living together.

Art, in this exhibition, becomes a field of sensory and cognitive creation, where each visitor, each spectator, interacts with the works in a unique, personal way. The work becomes a catalyst for reflection and personal transformation: it evokes emotions, reactions, and questions. This approach allows for the exploration of personal and collective identity through art. The spectator thus becomes a co-creator of the experience, highlighting the participatory dimension of the exhibition. It is a circle of endless interactions, a flow that continuously renews itself, both in perception and in the interpretation of the works.

One of the most powerful aspects of "Novae Vitae" lies in the notion of the cycle. The space and the work are in perpetual transformation, just as life itself is, according to a rhythm of regeneration and degeneration. This cycle is that of renewal: of the work, of space, of the individual, and of society. The exhibition symbolizes this continuous interaction between creation and destruction, where art is never static but always becoming.

Thus, "Novae Vitae" is not simply an art exhibition, but a living process, in constant metamorphosis, inviting every spectator to fully engage in the experience of transformation. The work is no longer an isolated object but part of a whole, a piece of a living puzzle in constant evolution, inviting everyone to reinvent themselves, to interfere, to redefine themselves.

The exhibition "Novae Vitae" calls for a collective reaffirmation, a reflection on how we perceive, create, and live together. It is about transcending social and personal boundaries, redefining art as a means to rethink our place in the world, while revaluing each individual, without exclusion. It offers a platform for reflection, a celebration of diversity, and an invitation to create a more inclusive, interconnected future together. In this sense, art becomes a tool for social transformation, a space for positive interference in a world in constant flux.

The exhibition "Novae Vitae" is an invitation to imagine a world where art and space intertwine to create new lives, infinitely renewed, infinitely renewable. A world where every action, every movement, every thought contributes to the creation of a new reality, where art becomes the living force of collective transformation.

But "Novae Vitae" is not simply an aesthetic transformation space; it is a laboratory for social reflection. The exhibition seeks to create an inclusive space where everyone, whether artist or spectator, becomes an integral part of this transformation process. Art here becomes a vector of inclusion, a means of reaffirming individuality while weaving collective bonds. Interaction with the work is not a simple act of contemplation but an active participation in the renewal of social reality. The space becomes a place of shared strength, where different voices converge to nourish collective reflection, establishing a new way of living together.

Art, in this exhibition, becomes a field for sensory and cognitive creation, where each visitor, each spectator, interacts with the works in a unique, personal way. The work becomes a catalyst for reflection and personal transformation: it evokes emotions, reactions, and questions. This approach allows for exploring the question of personal and collective identity through art. The spectator thus becomes a co-creator of the experience, highlighting the participatory dimension of the exhibition. It is a circle of endless interactions, a flow that continuously renews itself, both in perception and in interpretation of the works.

One of the most powerful aspects of "Novae Vitae" lies in the notion of the cycle. The space and the work are in perpetual transformation, just as life itself is, following a rhythm of regeneration and degeneration. This cycle is one of renewal: of the work, the space, the individual, and society. The exhibition symbolizes this continuous interaction between creation and destruction, where art is never static but always becoming.

Thus, "Novae Vitae" is not simply an art exhibition but a living process, in constant metamorphosis, inviting every spectator to fully engage in the experience of transformation. The work is no longer an isolated object, but part of a whole, a piece of a living puzzle in constant evolution, inviting everyone to reinvent themselves, to interfere, and to redefine themselves.

The exhibition "Novae Vitae" calls for a collective reaffirmation, a reflection on how we perceive, create, and live together. It is about transcending social and personal boundaries, redefining art as a way to rethink our place in the world while revaluing each individual, without exclusion. It offers a platform for reflection, a celebration of diversity, and an invitation to create a more inclusive, interconnected future together. In this sense, art becomes a tool for social transformation, a space for positive interference in a constantly changing world.

The exhibition "Novae Vitae" is an invitation to imagine a world where art and space intertwine to create new lives, infinitely renewed, infinitely renewable. A world where every action, every movement, every thought contributes to the creation of a new reality, where art becomes the living force of collective transformation.